Edward S. Robinson

Edward S. Robinson studied for his MA by Research on the influence of William Burroughs and Allen Ginsberg at the University of York. He studied for his PhD at the University of Sheffield, where he has taught on a number of courses. He has published articles on William Burroughs, Stewart Home and Kathy Acker, and provided the introduction to Jürgen Ploog’s cut-up novella, Flesh Film. 2011 saw the publication of his first book, Shift Linguals: Cut-Up Narratives from William S. Burroughs to the Present, which traces the lineage of the cut-ups from their origins in Dada and Surrealism, through the works of William Burroughs and Brion Gysin, Claude Pélieu, John Giorno and Carl Weissner, to later authors including Kathy Acker, Stewart Home and Kenji Siratori. He is a regular contributor to Paraphilia Magazine, and is currently working on a book on the death of postmodernism.

5 Responses to Edward S. Robinson

  1. thanks from remembering me with a copy of your book about cut-up, which I’m enjoying, initially for its mention of me.

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  2. Antonio Bonome says:

    Edward, can you send me your paper on Ah Pook?

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    • Edward S. Robinson says:

      I certainly can, Antonio – if you let me have a contact email to send it to, or drop me a line at e.s.robinson (at) yahoo.co.uk, I’ll be happy to oblige.

      ESR

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  3. Joost Damen says:

    Edward! Perhaps you will see this message. I wanted to remind you that I still want to read your paper(or the unfinished version at least) if you’re willing to send it. (We met at the conference and I asked you for it, but I think you forgot to e-mail me.) In the meantime, I’ve also ordered your book, Shift Linguals, but that will take a few weeks to arrive! Let me know if you’ve lost my e-mail or something!

    Kind regards,
    Joost Damen

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    • Edward Robinson says:

      Hi Joost, was great to meet you in Manchester. I haven’t forgotten – it’s just been manic few days. I’m just putting the bibliography together and will be sending it over very soon. Best, Ed.

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