To submit a review please contact Polina Mackay – “polinamackay[@]gmail.com”
Most Recent:
NEW: “Just Out of Reach” Locating a Beat Feminism – Review of Polina Mackay – Beat Feminisms: Aesthetics, Literature, Gender, Activism (Routledge, 2022) by Benjamin J. Heal
Overpainted Beats: Explosions of Blood; Elia Inderle. Introduction by Oliver Harris. Moloko Print 2022. A review by Matt Theado.
ruth weiss: Beat Poetry, Jazz, Art, Edited by: Estíbaliz Encarnación-Pinedo and Thomas Antonic, De Gruyter, 2021 — A Review by Douglas Field
Review of The Beats: A Teaching Companion (2021), edited by Nancy M. Grace, by John Shapcott.
Just for Jolly, by Phil Baker.
Review of Soft Need #23 (Expanded Media Editions, 2020) edited by Udo Breger and Luzius Martin
Lee’s travels reach fresh destination, : Time Travels by A. Robert Lee – Review by Simon Warner
In The Rebel Café: Interviews with Ed Sanders by A. Robert Lee
A hunger for paper: Brenda Frazer’s Some American Tales by David Holzer
BEAT SCRAPBOOK OFFERS TRIBUTES AND TREASURES: A Review of Gerald Nicosia’s “Beat Scrapbook” by Matthew McLaughlin
The Beats: A Literary History, Steven Belletto, Review by A. Robert Lee
Allen Ginsberg i Danmark, Lars Movin
The Beats: Authorships, Legacies, A. Robert Lee, Edinburgh University Press, 2019. A review by Simon Warner
Don’t Hide the Madness, a review by Théophile Aries // Une critique de Don’t Hide the Madness, par Théophile Aries
“A World Away: the Beats, Beat Writing, the Beat Generation, Beat Movements, International Beat Literature, Beat Studies, the Beat.” A. Robert Lee (ed.)The Routledge Handbook of International Beat Literature Review Essay by R J Ellis
“Great. Burroughs is a Liberal Now.” Chad Weidner, The Green Ghost, Review by Benjamin J. Heal/
Baggy Monster Beat: A Review Essay by R J Ellis on The Cambridge Companion to the Beats
Barney Rosset: My Life in Publishing and How I Fought Censorship Review by Maarten van Gageldonk
Eliot Katz, The Poetry and Politics of Allen Ginsberg Reviewed by Anna Aublet
John Tytell, The Beat Interviews. Review by Chad Weidner
Jimmy Fazzino, World Beats: Beat Generation Writing and the Worlding of U.S. Literature. Review by Maarten van Gageldonk
Maarten van Gageldonk, Transatlantic Mediators: Grove Press, Evergreen Review and Postwar European Literature. Review by Alexander Adams
Erik Mortenson, Ambiguous Borderlands. Review by Rona Cran
2015 Jack Sargeant’s Against Control, Review by Thom Robinson
Chance Encounters in New York Review of: Rona Cran Collage in Twentieth-Century Art, Literature, and Culture: Joseph Cornell, William Burroughs, Frank O’Hara, and Bob Dylan. Ashgate Publishing 2014. Reviewed by Tomasz Stompor
interbred and intertwined: collage, montage, and the trouble with terminology – Review Response by Rona Cran
The Transnational Beat Generation, eds. Nancy M. Grace and Jennie Skerl. (New York: Palgrave Macmillan, 2012). ISBN: 978-0-230-10840-0. Reviewed by Erik Mortenson.
2014 – The Poetics of Collage: An Interdisciplinary Conference, 16th May 2014, Centre for Creative Collaboration, London – Review by Gavin Goodwin
Comparative American Studies: An International Journal Special Issue: The Beat Generation and Europe Reviewed by A. Robert Lee
Iain Sinclair’s American Smoke: Journeys to the End of the Light reviewed by Alexander Adams
First Happenings: Adrian Henri in the ‘60s and ’70s [ICA]. Review by Rona Cran
Taking Shots: the Photography of William S. Burroughs and Beyond the Cut-up: William S. Burroughs and the Image Reviewed by Rona Cran
American Hipster: A Life of Herbert Huncke, The Times Square Hustler Who Inspired the Beat Movement by Hilary Holladay Review by Jaap van der Bent
El Manifiesto Abomunista translated by Zachary de los Dolores Review by Estíbaliz Encarnación-Pinedo
Dead Beats Anthology 2011-2012, Eds Alexander J. Smith, Adonis Leboho and Jack Mann — Thom Robinson
Love Always, Carolyn, Lisa Avdic-Öst
Text and Drugs and Rock ‘n’ Roll: The Beats and Rock Culture by Simon Warner
The Spoken Word: William S. Burroughs and Brion Gysin, Davis Schneiderman
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