Estíbaliz Encarnación Pinedo

Estíbaliz Encarnación-Pinedo holds a PhD in postwar American Literature from the University of Murcia (Spain) and is currently an Assistant Professor in the Department of Modern Languages at the Technical University of Cartagena, Spain. She has been a visiting researcher at Columbia University in New York and University of California, Berkeley. Her research focuses on gender and feminism in postwar and avant-garde American poetry. She is also a member of the “Queer Temporalities” research group (University of Murcia). She has presented her work in numerous international conferences and has also been a member of the organizing committee of, among others, the Queer Temporalities in Literature, Cinema and Video Games (2021) and the 10^th Annual European Beat Studies Network Conference (2022). Her latest publications include “Off She Went: Travel-Writing in Women of the Beat Generation” (2022, English Studies), “Ethnicity and Gender in the Beat Generation: Jack Kerouac and the Other Woman” (2022, International Journal of English Studies), “The Memory of the Bastard Angel: Autobiographical Writing in Harold Norse” in Harold Norse: Poet Maverick, Gay Laureate, eds. A. Robert Lee and Douglas Field (2022, Clemson University Press), “I see you dancing: ruth weiss, Word and Legacy (1928-2020)” (2021, Journal of Beat Studies), and “On Webbed Monsters, Revolutionary Activists and Plutonium Glow: Eco-crisis in Diane di Prima and Anne Waldman” (2020, Humanities). She is also coeditor of ruth weiss: Beat Poetry, Jazz, Art (2021, De Gruyter) and is currently working on the monograph Beat Myths in Literature: Revisionist Strategies in Beat Women to be published by Routledge in 2023.  

Estíbaliz Encarnación-Pinedo est titulaire d’un doctorat de l’Université de Murcia (Espagne) et est actuellement professeure-assistante au département de langues modernes de l’université polytechnique de Carthagène. Elle a été chercheure invitée à l’université de Columbia à New York, et à l’université de Californie à Berkeley. Ses recherches portent sur le genre et le féminisme dans la poésie américaine d’après-guerre et d’avant-garde. Elle fait partie du groupe de recherche « Queer Temporalities » de l’université de Murcia. Elle a participé à de nombreuses conférences internationales et a fait partie du comité d’organisation des conférences suivantes : Queer Temporalities in Literature, Cinema and Video Games (2021), la 10^e conférence annuelle de l’European Beat Studies Network (2022). Parmi ses dernières publications, nous pouvons citer : “Off She Went: Travel-Writing in Women of the Beat Generation” (2022, English Studies), “Ethnicity and Gender in the Beat Generation: Jack Kerouac and the Other Woman” (2022, International Journal of English Studies), “The Memory of the Bastard Angel: Autobiographical Writing in Harold Norse” dans Harold Norse: Poet Maverick, Gay Laureate, eds. A. Robert Lee and Douglas Field (2022, Clemson University Press), “I see you dancing: ruth weiss, Word and Legacy (1928-2020)” (2021, Journal of Beat Studies), et “On Webbed Monsters, Revolutionary Activists and Plutonium Glow: Eco-crisis in Diane di Prima and Anne Waldman” (2020, Humanities). Elle est également coéditrice de l’ouvrage ruth weiss: Beat Poetry, Jazz, Art (2021, De Gruyter) et travaille actuellement sur le livre Beat Myths in Literature: Revisionist Strategies in Beat Women qui doit paraître en 2023 chez Routledge.