EBSN Conference 2026
The Beats and Materiality: Bodies, Media, Matter
Online- November 2026 12-14 2026
ProgrammeRegistration FormEBSN 14TH Annual Conference (Online)
The conference organizers invite proposals for papers, panels, roundtables, and creative performances for the14th Annual Conference of the European Beat Studies Network, which will take place via the online Google Meet platform, November 12-14, 2026.
Theme:
While most often addressed in terms of spiritual quest, countercultural impact, mobility, spontaneity and authenticity, Beat writing is fundamentally shaped by and deeply invested in specific material conditions: bodies and substances, print and sound technologies, economic precarity, infrastructure, objects, and media environments. Accordingly, from mimeograph machines, cheap paperbacks, and tape recorders to drugs, clothing, food, sexuality, and urban space, Beat aesthetics emerge as a profoundly material practice. At the same time, the Beat idiom intersects, whether explicitly or obliquely and belatedly, with philosophical, political, and aesthetic materialisms (Marxist, phenomenological, posthuman, ecological, and new materialist frameworks) that invite renewed critical attention.
The conference proposes to rethink the Beats through the lens of materiality and materialisms, asking how matter, human and nonhuman, shapes Beat aesthetics, politics, and afterlives. We invite contributions that explore how Beat texts and practices are produced by, mediated through, and resistant to material conditions as well as how Beat legacies continue to circulate materially across media, geographies, and generations. Rather than treating “materiality” as mere backdrop or context, this conference proposes to foreground matter as agent, condition, and collaborator in Beat production. How might a Marxian reading illuminate the economic infrastructures and labor conditions underlying Beat publishing networks? What might a Benjaminian lens reveal about reproducibility, aura, and the circulation of Beat texts? How might Deleuzian assemblage or Latourian networks reframe the Beats as constellations of human and nonhuman actants—bodies, drugs, roads, printing presses, tape recorders, borders?
We are particularly interested in approaches that foreground method as well as object: archival research, media archeology, book history, performance studies, affect theory, and digital humanities are especially welcome.
The conference also seeks to foster dialogue between established scholars and emerging researchers, encouraging experimental formats, collaborative and create work.On the occasion of the centennial of Allen Ginsberg’s birth, the conference also warmly invites papers and panels that celebrate and reexamine the enduring vitality of Ginsberg’s work and influence. We welcome contributions that revisit his poetry, performances, and public presence as well as the ongoing relevance of his poetics in contemporary cultural and artistic contexts. In keeping with the theme, we especially welcome reconsiderations of Ginsberg’s material practices—his notebooks, recordings, correspondence, activism, and embodied performance—and their resonance in contemporary poetic or political movements.
Possible topics include (but are not limited to):
• Material culture of the Beats: objects, clothing, food, drugs, tools
• Beat bodies, embodiment, sexuality, illness, addiction, and labor
• The Beats and media technologies: print, little magazines, mimeographs, tape recorders, radio, film
• The Beats and sound, voice, performance, and acoustic materiality
• Reading the Beats in the age of AI and digital remediation
• Beat infrastructure and space: roads, cities, trains, borders, landscapes
• The Beats and economic materialities: poverty, precarity, publishing economies, copyright
• Beat writing and philosophical materialisms (Marxism, phenomenology, materialist feminism, new
materialism)
• Environmental materiality in Beat texts
• Beat archives, manuscripts, marginalia, notebooks, drafts
• Transnational material afterlives of the Beats
• Beat materiality beyond literature: music, visual art, performance, film
• Preservation, digitization, and the ethics of Beat archival work
• The material politics of race, gender, and sexuality in Beat writing
Deadline for abstracts: June 15, 2026
Responses will be given by: July 15, 2026
Papers will be limited to 20 minutes. Abstracts should clearly outline how the topic will be addressed, the texts that will be studied, and what the presentation will cover regarding the topic and the problem presented. Please, submit abstracts (250-300 words) and a short bio note to conference administrator Raven See at [email protected] before June 15, 2026.
Conference Organizing Committee:
Tomasz Sawczuk, University of Bialystok (Poland)
Estíbaliz Encarnación-Pinedo, University of Murcia (Spain)
Conference Administrator: Raven See
Organizers: Heike Mlakar, Florian Zappe, Tomasz Stompor, Alexander Greiffenstern
Location: University of Hildesheim, Germany (Department of English Language and Literature)
Located at the geographical heart of Germany and framed by the history of a UNESCO World Heritage Site, Hildesheim offers a unique blend of academic pursuit and cultural heritage. Just 30 km from Hanover, Hildesheim provides excellent connectivity to larger metropolises such as Hamburg and Berlin. Home to approximately 9,000 students, the University of Hildesheim stands out as one of the country’s more intimate higher education institutions. This smaller scale fosters a welcoming and personal atmosphere, where students are encouraged to form strong bonds with peers and faculty alike.
Call for Papers:
The radical ethos of the Beat movement, whether defined in aesthetic, political, or cultural terms, is deeply rooted in the specific historical situation in which it emerged: the binary-coded world of the Cold War. During this era, the ideological polarization of global politics combined with the domestic imperatives of social and political conformism led—on both sides of the Iron Curtain—to the phenomenon that Herbert Marcuse described as the “one-dimensional society” defined by “a pattern of […] thought and behavior in which ideas, aspirations, and objectives that, by their content, transcend the established universe of discourse and action are either repelled or reduced to terms of this universe.” (Marcuse, One Dimensional Man, p. 14). The tension between dominant materialist values and spiritual seeking was central to Beat thought and literature, revealing a profound resistance to the encroaching uniformity of the age.
Especially in Germany, where the annual conference of the EBSN will take place in 2025, the ideological polarization became manifest as a geopolitical division that sliced the country into two political entities with opposing systems. In reaction to government restrictions and repression by an official state ideology in the East and a hegemonic cultural conservatism in the West, countercultural movements still developed on the fringes of both societies. At the heart of this geopolitical flashpoint, the international dimensions of political and cultural conflict were observable in a crystallized form that took on various other facets around the globe.
While it may be a truism that the emergence of Beat culture in the mid-twentieth century was a reaction to the “one-dimensionality” of the era, it is vital to understand its significance for the radicalism of the phenomenon’s ethos. The Beats’ revitalization and expansion of the old Modernist battle cry “Make it New!” was an assault on the political and cultural foundations of Cold War-era “one-dimensionality” on a global scale. Originating in the United States, their radical approaches to art and life generated similar movements in many other countries, where artists and intellectuals felt stifled by the political climate.
Although the Cold War ended 35 years ago, today’s social divisions follow similarly polarized fault lines, where issues of free speech feel ever-present; discussions of sexuality, critiques of war, and advocacy of human rights seem under threat in ways that mirror past dangers. This invites us to revisit and discuss the unbroken topicality of the radical aesthetico-political approaches of Beat culture in the light of current events.
Topics of interest may include, but are not limited to, the following:
- The Beats and the Cold War
- Materialism vs. spiritual quest within Beat literature and art
- Influence and connections of civil rights movements and the Beats
- Avant-garde movements and their aesthetic connection to Beat writing
- Responses in Eastern European countries to the Beats
- The Beats behind the Iron Curtain (szamizsdat culture, illegal readings, etc.)
- Beat related artistic developments in countries directly involved in the Cold War (Germany, Korea, Vietnam, Cuba, Turkey…)
- Cultural radicalism vs. political radicalism
- The Beats and/as a form of “Radical Chic”
- Beat expressions of "Schizoculture" and their impact on cultural production
- The role of Beat writing in today's artistic or political movements
Accommodation options
InterCityhotel Hildesheim (next to the train station, buses 1 and 4 running directly to Buehler Campus where the conference takes place)
Bahnhofsplatz 2, 31134 Hildesheim
+49 5121 9134 000
Hotel Bürgermeisterkapelle (near Marktplatz)
Rathausstraße 8, 31134 Hildesheim
Tel.: +49 (51 21) 17929-0
http://www.hotelbuergermeisterkapelle.de/
Van der Valk Hotel Hildesheim (located at Markplatz, the center of Hildesheim)
Markt 4, 31134 Hildesheim
Tel.:+49 (5121) 300-600
Hey Lou Hotel Hildesheim (very central location)
Zingel 26, 31134 Hildesheim
+49 (0) 5121 912 870 0
M & A City Hotel Hildesheim (central)
Hindenburgplatz 6, 31134 Hildesheim
Tel.: +49 (51 21) 3 90 81
Single Room: from 55.00 EUR
We invite you to submit proposals on these topics, or on other aspects of the Beat Generation. Individual papers will be limited to 20 minutes. As well as paper presentations, we also invite submissions for panels, roundtables, workshops, artistic performances, or other creative endeavours.
Please submit an abstract (250 words) that clearly outlines your proposal, and a short bio note, to conference administrator Raven See at [email protected] before October 15, 2024. We will respond by the end of December 2024.
For more information, please visit: https://ebsn.eu/,
Past Conferences
EBSN has been organising yearly conferences since 2012
The Beats: Wilderness and Wildness
The conference probed the extent to which Beat aesthetics retains its relevance in the Anthropocene by comparing and contrasting it with contemporary eco-narratives that center on the pressing immediacy of the current biodiversity crisis and the looming environmental collapse.
Cut-Ups@2023
CUT-UPS@2023 is the post-Covid version of CUT-UPS@60, an EBSN Special Conference that was scheduled to happen in 2020 to mark the 60th anniversary of the first publications to use the cut-up methods initiated by William Burroughs and Brion Gysin at the Beat Hotel in Paris.
2022 Conference
Our first post-COVID conference went off with a swing in the beautiful city of Murcia in Spain, ably organized by Estíbaliz Encarnación-Pinedo and Juan Antonio Suárez. Held at the University of Murcia, it explored “Beat Temporalities”.
