EBSN 2021 was held via Zoom October 29-31 (Friday-Sunday).
Alan Carmody – Conference Virtual Performance
3 days is a cut-up, generative media piece that randomises spoken words, video images and generative music, that runs for, you guessed it, 3 days.
Each day the piece will regenerate, forming a three part cycle. It begins at 7.30 p.m GMT on Friday 29 Oct, 2021.
Feel free to share our social media poster:
CALL FOR PAPERS
The Present and Future of Beat Studies
Dates: October 29-31, 2021
Registration Fee €30, concessions €10.
We invite proposals for the Ninth Annual Conference of the EBSN, which will take place via the online Zoom meetings platform, October 29-31 2021.
Deadline for abstracts: February 15, 2021. Notifications by April 15, 2021. Please submit abstracts to Conference Administrator Raven See at firstname.lastname@example.org
Beat Studies is a vibrant field of academic and creative inquiry, growing scholarship recognizes this fact, but pressing questions remain. What is Beat? The transnational turn shows the Beat project exceeded just Kerouac-Ginsberg-Burroughs. While the Beat Generation seems predominantly an American phenomenon, might we speak of the emergence of a wider cross-cultural Beat-bohemian poetics? Some definitions of the “Beat Generation” appear too all encompassing; and one can question whether Beat scholars are choosing breadth at the expense of depth. What might more serious and sustained transatlantic and transnational discussions tell us about the present state of Beat Studies, and potential ways forward? Beat Studies is often overlooked in relation to other current fields of cultural analysis, in that case where do, or should, the Beats ‘fit’? The Beats were largely dismissive of academia, so should Beat Studies even exist as an established academic field, or should it exist outside the academy? Might scholars make more efforts to engage with non-institutional and creative/artistic approaches?
While the direction of Beat Studies is the source of passionate discussion and debate, it is clear that the Beats still matter, given climate crises, Covid-19, and the rise of populism. Therefore, to mark ten years of successful conferences, discussion, and creative and academic research, the EBSN welcomes papers on the present and future of Beat Studies.
The formal session format will be moderated seminars, where presenters have 10 minutes to present their work, followed by a group discussion between presenters and attendees. We welcome not only individual papers and full seminar/panel proposals but also alternative suggestions to the standard conference panel format that take into account the possibilities of the online format, including but not limited to panels, seminars, workshops, informal talks, discussion groups and/or other semi- or fully creative individual or group contributions.We strongly encourage creative submissions of all kinds that relate to the larger Beat phenomenon, and are open to discussions from prospective performers regarding what is possible online.
Organizers: Estíbaliz Encarnación-Pinedo, Benjamin J. Heal, Chad Weidner
Possible topics may include but are not limited to:
Beats and other Bohemian movements
The Beat canon
Beat culture as a global phenomenon
The Beat project
Civil disobedience and free expression
Culture and power
Cultural confrontations and appropriations
Documentaries and interviews
Europe as a Beat location
Gender and identity
Geography and movement
The gritty underground
Life-writing and the Beats
Limits in Beat studies
Re-defining the Beats
Teaching the Beats
Theatre and media
Theory and criticism
Transnational aspects of Beat culture
Travel and the Flâneur
Women of the Beat Generation
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